{"id":14442,"date":"2023-09-28T16:12:39","date_gmt":"2023-09-28T15:12:39","guid":{"rendered":"https:\/\/dev.gioiellinascostidivenezia.it\/profili\/"},"modified":"2024-02-27T14:35:36","modified_gmt":"2024-02-27T13:35:36","slug":"profili","status":"publish","type":"post","link":"https:\/\/www.gioiellinascostidivenezia.it\/en\/profili\/","title":{"rendered":"Profili"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_margin=&#8221;0px||0px|&#8221; custom_padding=&#8221;0px||0px|&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;1&#8243; module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;4.16&#8243; width=&#8221;100%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|desktop&#8221; max_width=&#8221;100%&#8221; max_width_tablet=&#8221;100%&#8221; max_width_phone=&#8221;100%&#8221; max_width_last_edited=&#8221;on|desktop&#8221; 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custom_margin=&#8221;0px||0px|&#8221; custom_padding=&#8221;0px||0px|&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;100px||50px|&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.17.3&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Nello Petrucci<\/h3>\n<h2>Profili<\/h2>\n<p>Curated by Chiara Canali<br \/>\nJune, 16 \u2013 August, 26, 2022<\/p>\n<p>Moving deftly among the most different expressive techniques \u2013 from painting to <em>collage<\/em>, from <em>halftone<\/em> photo printing to screen printing &#8211; Nello Petrucci preferred <em>collage<\/em> and<em> d\u00e9collage<\/em> for having a dialogue with the wonderful fifteenth-century palace Contarini del Bovolo.<\/p>\n<p>Recovering some profiles taken from classicism, or processing characters\u2019 faces known in the world of cinema, the artist starts from an action of discovery, collection and reproduction of fragments of film playbills and <em>affiches<\/em>, and then breaking them down and extracting them from their context and offering them to the single viewer\u2019s sensibility in order to freely arrange them in a personal reinterpretation.<\/p>\n<p>And it is exactly the adopted halftone (on \u201clow-resolution\u201d) technique to stimulate the imagination of public: opaque and not uniform, it gives few visual information to the observer, involving him in a greater participation, in order to complete what is only suggested by the mosaic pattern of the photographic screen dot-dot, while on the author\u2019s part, decomposing the \u201creal\u201d into fragments, he is free to remount it in new configurations, according to the operative principle of the film \u201cediting\u201d which allows him to migrate the images from a carrier to the other, from a contest to the other and form an historical time to another.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; 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